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Stimmen, Dazwischen
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Theaster Gates, an Organology
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Black Abstraction, Black Ecstatic, Black Chapel
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An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy
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Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
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Joan La Barbara at 75: Celebrations and Provocations
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Borderline Subjects, Musical Objects
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Echo’s Echo: Subjectivity in Vibrational Ontology
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Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
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Renunciation
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A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
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Die alltägliche Queerness von „Your Face.“
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Charlotte Moorman’s Experimental Performance Practice
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A Flexible Musical Identity: Julius Eastman in New York City
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John Cage, Julius Eastman, and the Homosexual Ego
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Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations
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Acceptance, Reconciliation, and Music at a Standstill
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Catherine Lamb's Interiors
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Music, Sex, and Friendship Downtown: Julius Eastman’s Queer Collaborations
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Performing Morton Feldman’s String Quartet No. 2: An Interview with Tom Chiu and Max Mandel of the Flux Quartet
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Proximity to a notion of fusion’: An interview with Alex Mincek and Eric Wubbels of the Wet Ink Ensemble
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Auf der Suche nach der verlorenen Musik and Morton Feldman's 2nd String Quartet
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Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
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