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Charlotte Moorman’s Experimental Performance Practice
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Die alltägliche Queerness von „Your Face.“
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Theaster Gates, an Organology
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“Une qualité rare et précieuse”: Music, Affect, and Meaning
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Invading the Temple of Theatre: Retrouvailles as a Case Study of George Aperghis’ Compositional Thought and the Reimagination of Theatre through Music
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“What Can Be Learned to Be Observed”: Technical and Theoretical Reflections on the Clarke Distributions
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Characterization in Crane, Lang, and Mazzoli's Chamber Operas
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Score-Informed and Hierarchical Methods for Computational Musical Scene Analysis
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Harmonicity Dissolving Into the Outside Field: The Secondary Rainbow Synthesizer in Catherine Lamb's Prisma Interius IX
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"Poor in Material, Non-Dramatic, Without Pathos": Elements of the Danish New-Simplicity in the Choral Works of Pelle Gudmundsen-Holmgreen
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