Search Constraints
Search Results
Select an image to start the slideshow
Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
1 of 14
Auf der Suche nach der verlorenen Musik and Morton Feldman's 2nd String Quartet
2 of 14
Proximity to a notion of fusion’: An interview with Alex Mincek and Eric Wubbels of the Wet Ink Ensemble
3 of 14
Performing Morton Feldman’s String Quartet No. 2: An Interview with Tom Chiu and Max Mandel of the Flux Quartet
4 of 14
Music, Sex, and Friendship Downtown: Julius Eastman’s Queer Collaborations
5 of 14
Catherine Lamb's Interiors
6 of 14
Acceptance, Reconciliation, and Music at a Standstill
7 of 14
Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations
8 of 14
John Cage, Julius Eastman, and the Homosexual Ego
9 of 14
A Flexible Musical Identity: Julius Eastman in New York City
10 of 14
Charlotte Moorman’s Experimental Performance Practice
11 of 14
Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
12 of 14
Joan La Barbara at 75: Celebrations and Provocations
13 of 14
Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
14 of 14