Caught between world wars and Stalin’s consolidation of power, citizens of Soviet Russia of the 1920s and 1930s had little to laugh about. Yet a unique tendency toward disruptive humor surfaces in poetry and prose over these two decades. I explore disruptive humor in select longer poetry of Nikolai Zabolotsky,...
This project will describe, in part, the central theoretical problem of the avant-garde, in phenomenological, theoretical, and ultimately ontological terms. The object of this chapter will be to acquire an understanding of the tension between the improvised phenomenality of the avant-garde, and its assumption and hypostatization into discourse. In doing...