My dissertation takes as its point of departure the commonly held premise that WWI forever changed the horizon of French literary production. While deemed indescribable, many authors did attempt to represent the battlefields and aftermath of WWI in literature. Distinct from previous heroic accounts of war, these descriptions had to...
In December 1928, Ernst Jünger wrote to his brother Friedrich Georg: “Wir müssen uns […] bemühen, die literarische Tätigkeit als Kriegsmittel zu betrachten.” This project analyzes the result of said activity: viz. text understood as a means of war. That is to say, it does not aim at answering questions...
This dissertation provides the first in-depth comparative study in any language of the female figurations made, viewed, and interpreted in the realm of refashioning modern Chinese painting during the war period of Republican China (1930s-1940s) in the Nationalist government-controlled southwestern inner frontier, with projects by Pang Xunqin (1906–85) and Fu...