The central analytic concern of this dissertation is the problem of privileging one, true, unified, singular self as the essential focus or goal with respect to contemporary French- and English-language novels by women authors from Africa and the Caribbean. In the past, feminist critics, in particular, have read these texts...
This dissertation casts an aesthetic light on a selection of polyphonic novels from the Francophone contemporary canon. From the forms of feminism around the prophet of islam in Far from Madina by Assia Djebar, to the multiple voices of Créolité in Solibo Magnificent by Patrick Chamoiseau, to the forms of...