In the nineteenth century, Jews across Europe entered a period of emancipation, at best a vaguely defined term that indicated the granting of equal civil and political rights, though sometimes conditionally and often incrementally. Concurrent to this, art music was dominated by deep divisions of stylistic and aesthetic approaches to...
Scholars of early-twentieth-century Buenos Aires—an international theatre hub— disproportionately emphasize Spanish-language performances. This tendency erases the histories of immigrant performing artists, such as Yiddish-speaking Jews who fled en masse to Argentina in order to escape rising antisemitism in Europe and Russia. By focusing on Yiddish theatre in Buenos Aires, this...
Although Jewish studies, sociology, and performance studies texts abound with productive scholarship on Jewish men and their contributions to comedy in the mid-century United States, there is remarkably scant attention devoted to the equally significant contributions of their female counterparts. Nowhere is that bias clearer than the peculiar case of...
The problem of evil, the difficulty of reconciling the reality of evil with an omnipotent and good God, is one of the central problems in Abrahamic theology. The central liturgical practice of traditional Judaism is the recitation of the Amidah, a prayer that (on weekdays) consists in a series of...
Franz Rosenzweig’s The Star of Redemption ranks as one of the most original and innovative works of the modern period. Thinkers as diverse as Buber, Benjamin, Levinas, Strauss and Derrida have all acknowledged its influence. Yet, there has not been any consensus on the book’s main objective or agenda. Some...