In this paper, I analyze a piece of music that I wrote called The Health, a 90-minute musical ceremony that comprises speech, action, video projections, costumes, lights, chant, song, recomposed hold music, diagnostic exams, and renaissance magic. I wrote the piece for Mocrep and myself to perform, the initial run...
This dissertation is an in-depth exploration of Clarke Distributions (for 10), an original musical composition based on the use of text to establish interrelational listening and performance patterns between performers, in place of any fixed musical material. Inspired by research into improvisation, cognition, aesthetics, and linguistics, these patterns manifest as...
This dissertation includes the score and companion essay to the musical work, Untitled (March). In the composition, I endeavor to create a listening situation offering a mutually negotiated environment of quietude that challenges a listener's preconceptions of intentionality and perception by blurring the boundaries between instrumental performance, field recordings, and the...
This essay investigates the question under which conditions ASMR is suitable for the concert space. What can be done to ensure that those sensitive to ASMR experience the desired effect? The text compares the sounds used to induce the physiological response called ASMR to those of “Musique Concrète (Instrumentale)” by...
Fausto Romitelli (1963-2004), one of the most inventive composers of his generation, created a musical language that draws inspiration from a multifaceted array of sources, including the technological landscape of daily life, the visual arts, poetry, literature, and philosophy. Furthermore, from early in his career, Romitelli incorporated elements in his...
The creative process of an artistic work is a space, figuratively, in which every facet of our personal lives has an effect and, in turn, can be explored and altered. One of the most fundamental aspects of life, be it human or not, is the way in which one relates...
This paper discusses the role of the Secondary Rainbow Synthesizer in Catherine Lamb’s composition Prisma Interius IX. This instrument is a MIDI keyboard that controls a computer program consisting of a bank of resonant band-pass filters, which are tuned to specific frequencies and can be opened or closed to varying...