This dissertation, “Altered Belonging: The Transnational Modern Dance of Itō Michio,” argues that Itō forged an artistic and social identity out of the very categories of racial and national difference typically used to exclude Japanese from Euro-American society. The strategies he employed provide a paradigm for how performing bodies marked...
This dissertation considers how best to define the imagined “life” of the puppet, and how that “life” offers new meaning to narrative puppet productions. In my first chapter, begin with the observation that puppeteers, scholars, and audiences often describe the puppet as an object that appears to “have life,” and...