“National Acts: Performance, Commemoration, and the Construction of American Public Memory” explores how sites of public commemoration created during and after the American Civil War crafted conceptions of American public memory and identities through performative processes. This dissertation looks at three commemorative efforts: the Freedmen’s Memorial Monument to Abraham Lincoln,...
This dissertation theorizes the relation between blackface minstrelsy and contemporary Black performance. The project analyzes the use of nineteenth-century blackface minstrel conventions in Black theatrical performances during later eras where its usage seems counter-intuitive: during the Black freedom struggles of the 1960s; within Black feminist and queer performance of the...
In the 1960s, the International Theatre Institute (ITI), the organization sponsored by the United Nations Educational, Scientific and Cultural Organization (UNESCO) with a mission to represents the world’s theaters, was faced with a crisis of representation. After twenty years of existence, the institution had not succeeded in substantially expanding beyond...
This dissertation examines anti-Black race-based ideologies prevalent in early American musical theatre through a multi-faceted case study concerning Morgan Benson, a child actor of the early musical theatre stage, Target Parades of the long nineteenth-century, and The Black Joke. This is an excavation project, seeking to unearth conceptual underpinnings for...
“Embodying Race, Performing Citizenship” investigates racial and ethnic impersonationsin American popular entertainment, especially vaudeville, between the 1870s and the 1920s. I
focus my analyses on first-generation Irish, Chinese, and Jewish Eastern European artists and
their American-born children during a time when the United States had absorbed the highest
number of...
“Entertaining Strangers” reveals how theories and practices of hospitality shaped and were shaped by the early modern print and theater industries. Whereas earlier studies of hospitality and literature have focused on aristocratic patronage, in this dissertation I reveal the vital importance of commercial hospitality as a framework for ethical and...
Scholars of early-twentieth-century Buenos Aires—an international theatre hub— disproportionately emphasize Spanish-language performances. This tendency erases the histories of immigrant performing artists, such as Yiddish-speaking Jews who fled en masse to Argentina in order to escape rising antisemitism in Europe and Russia. By focusing on Yiddish theatre in Buenos Aires, this...
Celebrity, reputation, and identity were complex issues for nineteenth-century British actresses. This dissertation examines how actresses responded to, integrated, and defied gender norms and social structures as they performed “authentic” identities for consuming publics. I investigate how actresses participated in charity events and bazaars, autobiographical writing, and advertising campaigns in...
The vaudeville remains an oft-overlooked genre of French song that was popularized by Paris’s fairground theaters and street singers on the Pont Neuf. Many histories of French music point to the middle of the eighteenth century as the period when the vaudeville began its rapid disappearance from the city’s musical...
Although Jewish studies, sociology, and performance studies texts abound with productive scholarship on Jewish men and their contributions to comedy in the mid-century United States, there is remarkably scant attention devoted to the equally significant contributions of their female counterparts. Nowhere is that bias clearer than the peculiar case of...