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The effect of prescribed fire history on belowground processes in tallgrass prairie
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Habitat requirements and restoration targets for secretive marsh birds in southeastern Wisconsin
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Plant performance in prairie restorations: does seed source matter?
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Intraspecific variation in Elymus elymoides root traits and its influence on competitive outcomes
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Hygroscopic awns of two prairie grasses, Andropogon gerardii and Sorghastrum nutans
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The Prairie Underground: Soil Recovery in Chicago Wilderness Restoration
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Variations in leaf wax n-alkane chain length and carbon isotope fractionation: applications for chemotaxonomy and paleoecology
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Investigating the drivers of floral trait polymorphism in Castilleja Coccinea (L.) Sprengel (Orobanchaceae)
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Potential effects of climate change on Penstemon Palmeri at Zion National Park, Utah USA
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Assessing Restoration Potential of Native Forbs from Cheatgrass-Dominated Habitats
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Stimmen, Dazwischen
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Theaster Gates, an Organology
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Black Abstraction, Black Ecstatic, Black Chapel
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Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
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Borderline Subjects, Musical Objects
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Echo’s Echo: Subjectivity in Vibrational Ontology
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Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
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Renunciation
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A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
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Charlotte Moorman’s Experimental Performance Practice
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John Cage, Julius Eastman, and the Homosexual Ego
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Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations
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Acceptance, Reconciliation, and Music at a Standstill
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Catherine Lamb's Interiors
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Music, Sex, and Friendship Downtown: Julius Eastman’s Queer Collaborations
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Performing Morton Feldman’s String Quartet No. 2: An Interview with Tom Chiu and Max Mandel of the Flux Quartet
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Proximity to a notion of fusion’: An interview with Alex Mincek and Eric Wubbels of the Wet Ink Ensemble
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Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
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Measuring human experiences to advance safe water for all
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