This dissertation explores the entanglements of performed refusals and witnessing practices in the face of gendered violences. I analyze how contemporary artists use staged performance to generate new modes for witnessing histories of gendered violence across temporal and national boundaries. In particular, I investigate four performances addressing local histories of...
This dissertation elucidates the contemporary dance studio and stage in twenty-first century Senegal as privileged sites of knowledge production about gender and sexuality. Entangled within local and global dance lineages, funding structures, and modes of circulation, contemporary choreographers perform their bodies in ways that challenge predominant narratives, both those imagined...