In this dissertation, I assert that a contradictory aesthetic has remained and been reborn in the U.S. daytime soap opera through time and technology; I call this the “everyday implausible.” Using textual analysis and archival research, I follow this genre from its beginnings on radio, through its move to television...
Scholars frequently use the term œhymn-like to describe passages of instrumental music but the precise meaning of the term remains elusive. This dissertation examines, through the lens of topic theory, the characteristics, origins, and communicative potential of such passages in the music of the late-eighteenth and early-nineteenth centuries. I define...