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Russian popular geopolitics during crisis and war
Characterization in Crane, Lang, and Mazzoli's Chamber Operas
PREDICTORS OF LOW RATES OF HISPANIC WORKERS’ PARTICIPATION IN STEM OCCUPATIONS IN THE US
Spoiling the Stories: The Rise of Israeli Women's Fiction
Women and the Press: The Struggle for Equality
Women of the Washington Press: Politics, Prejudice, and Persistence
First Ladies and the Press: The Unfinished Partnership of the Media Age
Implementation of Electric Aircraft: Aviation Operators’ Perspectives
The Networked Leviathan: For Democratic Platforms
Mathematics with a Scientific Sensibility
Renunciation
Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metap...
Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
Echo’s Echo: Subjectivity in Vibrational Ontology
Borderline Subjects, Musical Objects
Black Abstraction, Black Ecstatic, Black Chapel
Theaster Gates, an Organology
Stimmen, Dazwischen
A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
Charlotte Moorman’s Experimental Performance Practice
John Cage, Julius Eastman, and the Homosexual Ego
Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations
Acceptance, Reconciliation, and Music at a Standstill
Catherine Lamb's Interiors
Music, Sex, and Friendship Downtown: Julius Eastman’s Queer Collaborations
Performing Morton Feldman’s String Quartet No. 2: An Interview with Tom Chiu and Max M...
Proximity to a notion of fusion’: An interview with Alex Mincek and Eric Wubbels of th...
Measuring human experiences to advance safe water for all
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