In the first two decades of the twenty-first century, we have witnessed a surge of public interest in and discussion around racial reckoning. Universities in the United States and across the globe are grappling with their historical associations with transatlantic and chattel slavery. This dissertation takes up the question of...
This dissertation explores how dominant U.S. constructions of race, class, and gender are embedded into and inscribed onto artificially intelligent virtual assistants and the labors they perform. I examine virtual assistants like Amazon’s Alexa, Apple’s Siri, and Microsoft’s Cortana, interrogating their complex relationship to humanness, the tasks they are programmed...
This dissertation explores the entanglements of performed refusals and witnessing practices in the face of gendered violences. I analyze how contemporary artists use staged performance to generate new modes for witnessing histories of gendered violence across temporal and national boundaries. In particular, I investigate four performances addressing local histories of...
This dissertation considers how women’s spectatorship—how women are imagined as viewing subjects, and what are defined as feminine ways of watching—is transformed by digital technologies, and what it reveals about the shifting nature of privacy and visibility. It maps the contours of our current configuration of gendered looking relations by...
Genetic variation in genes regulating metabolism may be advantageous in some settings but not others. The non-failing adult heart relies heavily on fatty acids as a fuel substrate and source of ATP. In contrast, the failing heart favors glucose as a fuel source. A bootstrap analysis for genes with deviant...
This dissertation aims to rethink how contemporary feminism might grapple with complicity, cooptation, and the concomitant failure of feminist successes through a frame other than paradox. Arguing that the paradox frame locks us into a set of “dead ends,” I shift to an orientation toward spaces between. Through sustained engagement...
This dissertation purposely prioritizes Tibetan and Himalayan tsunmas’ perspectives on the topic of restoring a full ordination lineage for ordained women. To do so, it examines the gendered landscapes of Buddhist women’s ordination, which has been a contentious issue throughout Buddhism’s twenty-six-hundred-year history, beginning with the Buddha’s eventual acceptance of...
In the seventeenth and eighteenth centuries, hundreds of Venetian women began musical training in childhood to become professional musicians, known as figlie di coro (daughters of the choir), in the four charitable Ospedali Maggiori. These women overcame childhood poverty and abandonment to awe prestigious guests with their skills and even...
Black women performers have made, and continue to make, contributions to the U.S.-avant-garde performance canon and Black performance traditions that go largely unaccounted for in academic studies. Research has shown that across temporalities, Black women performers have mobilized experimental avant-garde aesthetics to disrupt and refuse essentialized notions of Blackness in...
In my dissertation, Knowing How to Feel: mapping affective epistemologies of ignorance through numbness, I examine the ways by which numbness contributes to harmful “epistemic resilience,” or the phenomenon whereby systems of meaning remain stable despite counter evidence or attempts to alter them (Dotson 2014). I am most importantly concerned...