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“Une qualité rare et précieuse”: Music, Affect, and Meaning
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Invading the Temple of Theatre: Retrouvailles as a Case Study of George Aperghis’ Compositional Thought and the Reimagination of Theatre through Music
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“What Can Be Learned to Be Observed”: Technical and Theoretical Reflections on the Clarke Distributions
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Score-Informed and Hierarchical Methods for Computational Musical Scene Analysis
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Harmonicity Dissolving Into the Outside Field: The Secondary Rainbow Synthesizer in Catherine Lamb's Prisma Interius IX
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