Scholars of early-twentieth-century Buenos Aires—an international theatre hub— disproportionately emphasize Spanish-language performances. This tendency erases the histories of immigrant performing artists, such as Yiddish-speaking Jews who fled en masse to Argentina in order to escape rising antisemitism in Europe and Russia. By focusing on Yiddish theatre in Buenos Aires, this...
Although Jewish studies, sociology, and performance studies texts abound with productive scholarship on Jewish men and their contributions to comedy in the mid-century United States, there is remarkably scant attention devoted to the equally significant contributions of their female counterparts. Nowhere is that bias clearer than the peculiar case of...