Search Constraints
« Previous |
1 - 20 of 23
|
Next »
Search Results
Select an image to start the slideshow
Stimmen, Dazwischen
1 of 20
Theaster Gates, an Organology
2 of 20
Black Abstraction, Black Ecstatic, Black Chapel
3 of 20
An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy
4 of 20
Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
5 of 20
Joan La Barbara at 75: Celebrations and Provocations
6 of 20
Borderline Subjects, Musical Objects
7 of 20
Echo’s Echo: Subjectivity in Vibrational Ontology
8 of 20
Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
9 of 20
Renunciation
10 of 20
A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
11 of 20
Die alltägliche Queerness von „Your Face.“
12 of 20
Charlotte Moorman’s Experimental Performance Practice
13 of 20
A Flexible Musical Identity: Julius Eastman in New York City
14 of 20
John Cage, Julius Eastman, and the Homosexual Ego
15 of 20
Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations
16 of 20
Acceptance, Reconciliation, and Music at a Standstill
17 of 20
Catherine Lamb's Interiors
18 of 20
Music, Sex, and Friendship Downtown: Julius Eastman’s Queer Collaborations
19 of 20
Performing Morton Feldman’s String Quartet No. 2: An Interview with Tom Chiu and Max Mandel of the Flux Quartet
20 of 20