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Commercialized Femininity in Ella Wheeler Wilcox’s Poems of Pleasure
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Innovation versus Convention: Performance, Realist Poetics, and Black Dialect in Ethiope Lays (1900) by Priscilla Jane Thompson
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An Image of the Ideal: Songs at the Start
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Making a Self: Identity-building and Valuation in Lewis J. Cist’s Trifles in Verse
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Constructing a Memorial: An Exploration of Nostalgia in Benj. F. Taylor's Songs of Yesterday
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Shoo, [Scribbler], Don’t Bother Me!
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Lydia Sigourney’s Illustrated Poems: “The rose [that] never fades”
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Written to Drive Nails With: Charlotte Perkins Gilman's In This Our World and the Canonized Narrative
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The Immortal Immortelles: Reading Nature as a Dialogue Between the Eternal and the Transient
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From Activism to Fantastical Fiction: Helen Hunt Jackson's Poems
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Sights Unseen: Blindness and Sensory Detail in Lillien Blanche Fearing’s The Sleeping World
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A Reflection of the Times: Racial Ideas of the Nineteenth Century in Dunbar’s Lyrics of Lowly Life
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Hidden Beauty: Pseudonyms and Uncommon Imagery in Helen Hunt Jackson's A Calendar of Sonnets
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Sex, Scandal, and Civilization: An Investigation of Sarah Wentworth Morton’s Critique of Western Society in Ouâbi
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Dead Poets Society: The Posthumous Reconstruction and Commoditization of Lucretia Maria Davidson in the Nineteenth-Century American Literary Aesthetic
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A Woman at the World's Fair: Martha Perry Lowe and the Expansion of Women's Roles through the Biblioteca Femina
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Beechenbrook: Forgetting, to Remember
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Shape Shifting and Genre Bending in Lucy Larcom’s Childhood Songs
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