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From Critical Realism to Politicized Expressivity: Integrated Soundtracks in Contemporary Mexican Cinema
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Stimmen, Dazwischen
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Black Abstraction, Black Ecstatic, Black Chapel
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Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
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Joan La Barbara at 75: Celebrations and Provocations
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Borderline Subjects, Musical Objects
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Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
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A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
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Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
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