An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at... and The Unfinished Art of Theater: Avant-Garde Intellectuals in Mexico and Brazil shows how theater was a key site in the struggle to redefine the relationship between art and social change and the rise of an international avant-garde in both nations from 1917 to 1934.
An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at... and Theaters of Citizenship investigates independent Egyptian performance practices from 2004 to 2014 to demonstrate how young dramatists staged new narratives of citizenship outside of state institutions, exploring rights claims and enacting generational identity. Using historiography, ethnography, and performance analysis, the book traces this avant-garde from the theater networks of the...
This dissertation explores mid-twentieth century US stand-up comedy recordings and how they elaborate upon definitions of the avant-garde in theatre and performance studies. Weaving theories of comedy, aesthetics, radical performance, and sound studies, I argue for the reconceptualization of the avant-garde as an intellectual impulse outside of the parameters of...
This project will describe, in part, the central theoretical problem of the avant-garde, in phenomenological, theoretical, and ultimately ontological terms. The object of this chapter will be to acquire an understanding of the tension between the improvised phenomenality of the avant-garde, and its assumption and hypostatization into discourse. In doing...
This dissertation narrates the circulation and institutionalization of an emergent category of talk performance within the late-twentieth century US avant-garde through the career trajectories of three artists from disparate disciplinary backgrounds working in and around the 1970s: theatrical monologist Spalding Gray, poet David Antin, and dance artist and filmmaker Yvonne...