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Charlotte Moorman’s Experimental Performance Practice
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Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s
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Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics
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Ekphrastic Voice: On Joan La Barbara’s Sound Paintings
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Joan La Barbara at 75: Celebrations and Provocations
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Harmonicity Dissolving Into the Outside Field: The Secondary Rainbow Synthesizer in Catherine Lamb's Prisma Interius IX
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