How can gatekeeping theory in the circulation of cultural objects, including knowledge production, inform the way cultural sociology investigates the role of the producer and the cultural object as “gated” entities? Using the case of producers working under the rubric of “Contemporary African art” to investigate opportunities and restrictions to...
How can gatekeeping theory in the circulation of cultural objects, including knowledge production, inform the way cultural sociology investigates the role of the producer and the cultural object as “gated” entities? Using the case of producers working under the rubric of “Contemporary African art” to investigate opportunities and restrictions to...