This dissertation is an ethnography that investigates how Chicago-based artists and organizations use hip-hop performance as a tool for grassroots education and communal dissent. By exploring these local artistic approaches, this research reveals the salience of hip-hop performance in cultivating social movements, embodied politics, and choreographic repertoires that respond to...
Land and Water: Performing Ecologies of Statelessness in the Aftermath of the Vietnam/American War focuses on land and water as epistemological and ontological grammars to examine cultural productions of Vietnamese refugee narratives. Specifically, I analyze how Vietnamese/American oral history narrators, filmmakers, visual artists, and performance artists narrate refugee subjectivity in...
This dissertation examines how filmic, literary, and popular musical performances of black female sexualities in the post- civil rights era both reveal and frustrate state-sanctioned infringements on black freedom. “The Paradox of Black Freedom: Black Female Sexuality in Contemporary Performance, 1965-2000” elucidates a powerful paradox wherein the US state enacts...
The dissertation aims to explore the intersection between the artistic performance of blackness in contemporary Italian theater and the country's social stigmatization of black immigrants as a problem or national emergency. I argue that Italians live in a state of "historic forgetfulness" since they have not been able to absorb...
This dissertation is a comparative study of gezaixi (Taiwanese opera) in China and Taiwan. It foregrounds the different, at times conflicting, performance styles and aesthetics of gezaixi on both sides of the Taiwan Strait, which is primarily the result of a long closure (1949-1987) imposed by the two regimes, and...
This dissertation examines the ways in which performance forms articulate with urban identities in the context of transnational economic and cultural exchange. In this multisited historical ethnography, I explore the links between late 19th-century Ottoman and contemporary Turkish public spheres fractured by morality battles and political transformation. Both periods are...
In this dissertation, I examine a near-century old popular theatre genre in Ghana known as the concert party to explore how contemporary political and economic circumstances shape its relationship to the spider-man trickster of Ghanaian (specifically Akan) folklore. Since the early 18th century various writers have attempted to define Ananse's...
Initiation is a performative model that dictates the participation of individuals in the various traditions of Western occultism, locating that individual within a nexus of practices and discourses that facilitate the transmission of occult teachings to that individual. While the act of initiation may be represented by a single performed...
This dissertation combines critical ethnography, critical performance and historical analysis to examine three Trinidadian dance companies - Malick Folk Performing Company, Shiv Shakti Dance Company, and Noble Douglas Dance Company Inc. - asking how each choreographs Trinidadian discourses of race/ethnicity, class and national belonging through its own uniquely crafted embodied...
This dissertation articulates the practice of clown theater by a Chicago-based company called 500 Clown in order to provoke further investigation and definition of this hybrid theatrical form, which, though increasingly popular as a practice, has yet to be theorized or historicized. This study addresses clown theater's relationships with other...