The dissertation project considers the generative possibilities to envision Black subjectivity that emerges from a sustained consideration of different forms of difficult racial and sexual intimacies. The artists whose work is engaged throughout the project, Leasho Johnson, Ajamu X, and NIC Kay recognize that to be Black is to always...
In the wake of environmental catastrophe, active intervention is needed to heal trauma, resist erasure, and navigate changing communities. Focusing on New Orleans after the federal levee failures following Hurricane Katrina, this dissertation looks across a diverse mix of case studies to theorize how communities utilize performance to navigate mass...
Musical meter is often described as an objective grid-like system of time-points that is created by musical sounds. I define meter instead as any pattern of felt beats an individual listener chooses to hear, a physical and cognitive interpretation of the music that is (re-) created in the moment of...
In a political climate where it is assumed that there are no alternatives to capitalism, architectural design and design-based activism are often heralded as providing solutions to capitalism’s negative effects. This dissertation is concerned with how contemporary architectural design naturalizes the organization of racial capitalist labor as it purports to...
This dissertation examines how filmic, literary, and popular musical performances of black female sexualities in the post- civil rights era both reveal and frustrate state-sanctioned infringements on black freedom. “The Paradox of Black Freedom: Black Female Sexuality in Contemporary Performance, 1965-2000” elucidates a powerful paradox wherein the US state enacts...
This dissertation combines critical ethnography, critical performance and historical analysis to examine three Trinidadian dance companies - Malick Folk Performing Company, Shiv Shakti Dance Company, and Noble Douglas Dance Company Inc. - asking how each choreographs Trinidadian discourses of race/ethnicity, class and national belonging through its own uniquely crafted embodied...
This dissertation articulates the practice of clown theater by a Chicago-based company called 500 Clown in order to provoke further investigation and definition of this hybrid theatrical form, which, though increasingly popular as a practice, has yet to be theorized or historicized. This study addresses clown theater's relationships with other...
Circling the Cosmograms marks the first full-length study of second-generation feminist and/or queer art and performance in the Haitian Dyaspora (Haitian Kreyòl spelling) following the January 12, 2010 earthquake in Haiti. Through archival research, visual and performance art analysis, and in-depth interviews, I document the ways feminist and/or queer Haitian-American...