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A Flexible Musical Identity: Julius Eastman in New York City
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Charlotte Moorman’s Experimental Performance Practice
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Die alltägliche Queerness von „Your Face.“
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A.N. Whitehead, Feeling, & Music: On Some Potential Modifications for Affect Theory
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Stimmen, Dazwischen
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Theaster Gates, an Organology
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Black Abstraction, Black Ecstatic, Black Chapel
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An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy
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Borderline Subjects, Musical Objects
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Echo’s Echo: Subjectivity in Vibrational Ontology
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