Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments,... and This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website,...
This study examines how Cape Verdean theatre artists construct transformative performances of race, gender, language, and colonial history at the Mindelact International Theatre Festival on the Cape Verde Islands. The aim is to understand how international theatre festivals participate in the production and shaping of new social imaginaries about nationhood....
By combining cultural theory with empirical data, this dissertation asserts that late-twentieth-century mainstream theatre had the potential to support emergent ideologies in the U.S. context. The study finds fault with those who dismiss mainstream theatre based on its commercialism and shows how a production's mainstream status may position its emergent...