Characterization is the musical creation of fictional characters, and it is particularly important for creating multi-dimensional, nuanced characters in opera. However, how do composers characterize roles if the opera does not feature a traditionally linear plot or story? Does opera need a narrative to create characterization? Some may view narrative...
Chaya Czernowin’s opera 'Pnima…ins innere' is about the encounter between a young Israeli boy and his grandfather, a Holocaust survivor so traumatized by his past that he cannot speak. Fittingly, the opera does not contain any words: the four singers in the work instead sing phonemes and other non-verbal sounds....