“Queer Correspondence: Form and Femininity in the Long Eighteenth Century” interrogates the role that the epistolary form played in the construction, representation, and discipline of female gender expressions and sexualities across the eighteenth century. Working from the perspectives of queer theory, formal analysis, and literary history, this dissertation argues that...
Uttering Sonic Dominicanidad: Women and Queer Performers of Música Urbana Verónica Dávila Ellis What meanings are ascribed to the voices and sonic compositions of Caribbean and Latinx women and queer performers? What do their sounds tell us about Caribbean identity, gender, sexuality, and race? This dissertation centers the work of...
In Due Time: Performance and the Psychic Life of Black Debt analyzes how routine modes of debt and indebtedness restrict black women’s behavior across the everyday sphere and their subsequent engagement with both aesthetic and everyday performance to dismantle such routines. Modes of indebtedness are characteristic of racial capitalism and...
Literary critics typically oppose chronological and anachronistic historiographical schemes. In paired readings of early modern and contemporary poets, my dissertation, “The Shock of the Old: Periodization, Poetics, and Diachronic Exchange between the Renaissance and the Avant-Garde” investigates a series of poetic texts that defy this opposition. The poetic objects I...