This thesis investigates Hugo von Hofmannsthal’s undermining of soteriological poetics in his comedy Der Schwierige (“The Difficult Man”), with a focus on the complex interplay between meta-language (e.g., stage directions) and dramatic dialogue, normative and contingent speech (i.e., ‘ironic speech’). By challenging what I term the “soteriological agenda” of comedy...
In December 1928, Ernst Jünger wrote to his brother Friedrich Georg: “Wir müssen uns […] bemühen, die literarische Tätigkeit als Kriegsmittel zu betrachten.” This project analyzes the result of said activity: viz. text understood as a means of war. That is to say, it does not aim at answering questions...