This dissertation considers how women’s spectatorship—how women are imagined as viewing subjects, and what are defined as feminine ways of watching—is transformed by digital technologies, and what it reveals about the shifting nature of privacy and visibility. It maps the contours of our current configuration of gendered looking relations by...
Yugoslav wartime television news often conformed to the demands of the political regimes. Informed by this knowledge, scholars have argued that TV as a medium incited and legitimized the wars by fostering ethnonationalist ideologies. Using archival and textual analysis, this project examines how television reacted to the political constraints imposed...