In the 1960s, the International Theatre Institute (ITI), the organization sponsored by the United Nations Educational, Scientific and Cultural Organization (UNESCO) with a mission to represents the world’s theaters, was faced with a crisis of representation. After twenty years of existence, the institution had not succeeded in substantially expanding beyond...
In the wake of environmental catastrophe, active intervention is needed to heal trauma, resist erasure, and navigate changing communities. Focusing on New Orleans after the federal levee failures following Hurricane Katrina, this dissertation looks across a diverse mix of case studies to theorize how communities utilize performance to navigate mass...
This dissertation examines the development of a black theater aesthetic in Jamaica as the colony prepared for independence. I define my theory of myalisation to explain how middle class theatre audiences participated in the Afro-Jamaican religious rituals of the lower class and how their participation signaled the development of a...
This dissertation analyzes theater performances that use narratives of U.S. military veterans in the post 9/11 era in order to cross the military-civilian divide. Engaging theories of performance, embodiment, and affect, this project investigates the depiction of military bodies onstage, the public perception of military identities, and the lived experience...