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Characterization in Crane, Lang, and Mazzoli's Chamber Operas
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“What Can Be Learned to Be Observed”: Technical and Theoretical Reflections on the Clarke Distributions
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Effects of Applied Music Composition and Improvisation Assignments on Sight-Reading Ability, Learning in Music Theory and Quality in Soprano Recorder Playing
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A Qualitative Examination of Undergraduate Music Students' Compositional Identity
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Nature Music: Prerecorded Nature Sounds in Electroacoustic Composition
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Music Composition as a Means to Connect With the More-Than-Human: A Dialogue Between the Works of Walter Kitundu, Liza Lim, and Luis Fernando Amaya
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