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Nothing Is as It Appears: Anthony Braxton’s Trillium J
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The History and Semiotics of Early Electronic Advertising Music
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Compositional Possibilities of New Interactive and Immersive Digital Formats
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Spectralism in the Saxophone Repertoire: An Overview and Performance Guide
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The Euphonium Music Of Francois Glorieux: A Performer's Guide To His Concerto For Euphonium And Symphony Orchestra
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The Tubist’s Guide to the Brass Quintet: A Survey of Historical Developments and Performance Techniques
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Distance Learning and Its Effect on the Future of One-on-One String Instruction
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Liszt and His Treatment of Song and Opera Transcriptions after German and Italian Composers: A Study of Selected Transcriptions Based on Works of Schubert, Rossini, Wagner and Verdi
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The Concept of Identity: An Approach to Latina American Music
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Intercultural Exchange and Cultural Resistance in Sarajevo's Classical Music Institutions: A Recent History of Art Music in Sarajevo
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