This dissertation examines how nineteenth century German literature constructed and experimented with an entangled concept of “the environment” based not in (Romantic) philosophical and literary conceptions of nature, but in the theory and science of color perception. As the visual point of interaction between an observer and their surrounding world,...
The creative process of an artistic work is a space, figuratively, in which every facet of our personal lives has an effect and, in turn, can be explored and altered. One of the most fundamental aspects of life, be it human or not, is the way in which one relates...
Guided by under-studied archival documents, including public-health and pharmaceutical advertisements, as well as contemporaneous visual art and performance pieces by queer artists of color, this dissertation analyses the critical and evolving role that aesthetics have played in combatting HIV/AIDS since the early days of the pandemic. Drawing on methods and...
This dissertation studies the sense most neglected in literary studies, philosophy, and the history of the senses: olfaction. It argues that modernity has been marked by a tendency towards deodorization that attempts to establish a monosensorial and odorless civilization shaped by ocularcentrism. Against this tendency, the authors studied here (Friedrich...
This dissertation aims to redefine the concept of pain as it appears in literary studies and demonstrate how the new definition garners insight into the interwovenness of literature and physiology in the mid-eighteenth century. It challenges the claim that pain is opposed to language by adopting a new materialist concept...