“Repurposing Queens: Excavating a Black Feminist Eco-ethic in a Time of Ecological Peril,” articulates how Black feminist theories of race, gender, and science critique both conservative and liberal trends in environmentalism and environmental studies. The project is transnational in scope in that it analyzes figures/objects from the United States and...
My dissertation is entitled “Post-civil Rights in the Hold: Neoliberalism, Race and the Politics of Historical Memory in the Deep South.” Post-civil rights discourse as a specific object of investigation has been under theorized, it has primarily been understood as a fundamental marker of racial progress in the United States...
They Left Us Dead: Anti-Black Violence, Black Evidence, and The Insistence of Black Life examines the mercurial, though seemingly fixed, notion of evidence as it is brought into relation with anti-blackness, Black death and, ultimately, Black life. They Left Us Dead queries how and why certain forms of documentation and...
This dissertation takes up Islam’s relationship to Black nationalism across the Atlantic diaspora of Muslims that I call “the Fugitive Islamicate.” Scholars most often have described this relationship as commencing in the twentieth century with the rise of “Black Muslim religion,” a U.S. religious movement that begins with Noble Drew...
Over a decade has passed since Hurricane Katrina impacted the Gulf Coast. The city of New Orleans, was one of the more severely damaged areas in the region, experiencing 80% damage. This dissertation analyzes the rebuilding of New Orleans and it questions the role that colonial legacies play in that...
This dissertation argues that black women’s literature on black-white multiraciality critiques public debates that celebrate the racially ambiguous multiracial child as the solution to racial conflict. Under this framework, this project investigates the popularization of multiracial identity in late 20th and 21st century United States, United Kingdom, and Jamaica, and...
This dissertation explores black litigation strategies, black legal culture, and the effect of black litigation on civil law. Not only did African Americans sue white southerners and white-owned companies for white-on-black violence under Jim Crow, they shared their collective legal knowledge through a network of black newspapers and contributed to...
My dissertation, Geographies of Memory, Trauma, and Pleasure in African American and Caribbean-American Literature examines the geographies of the cane fields, bodies of water, and the back porch to illustrate the speculative ways anti-black violence, intergenerational trauma, pleasure and Black memory co-exist in Black literature. Examining the aforementioned geographies as...
During the antebellum and post-Reconstruction periods, Black authors were concerned with white antipathy towards the political aspirations of African Americans. For many of these authors, sonic figures of resonance, vibration, and musicality served as the key sensory modalities through which the nexus of American anti-Blackness and civil politics could be...
ABSTRACT On the Other Side of Babylon: Black Women and Epistemologies of Resistance in the Third World Women’s Alliance Assata Sankofa Kokayi This cultural and intellectual history analyzes the Third World Women’s Alliance (TWWA), its relationship with decolonization struggles in Africa, Asia, and Latin America, and positionality as an anti-imperialist...
This project addresses the uses of coalition in US political imaginaries throughout the 1930s and 1960s. Throughout this period, public familiarity with “coalition” undergoes a marked transformation: whether deployed as argument, performance, or organizational form. Analysis focuses on three case studies: accounts in the national and Black press of a...
“Coalitional Aesthetics” argues that leftist literary works of the 1930s enacted bonds of solidarity across racial, linguistic, and geographic divides, modeling alternative, non-hierarchical modes of social cohesion. Building on Gramsci’s concept of the coalitional, coalitional aesthetics refers to a set of formal characteristics that insist on the specificity of the...
Black women performers have made, and continue to make, contributions to the U.S.-avant-garde performance canon and Black performance traditions that go largely unaccounted for in academic studies. Research has shown that across temporalities, Black women performers have mobilized experimental avant-garde aesthetics to disrupt and refuse essentialized notions of Blackness in...
Over the past four decades, the rate of incarceration for women has risen significantly. Black women are disproportionately represented among incarcerated women. Formerly incarcerated women and men face similar barriers upon release from incarceration, such as obtaining stable and gainful employment, securing safe and affordable housing, and reconnecting with children...
Over the past four decades, the rate of incarceration for women has risen significantly. Black women are disproportionately represented among incarcerated women. Formerly incarcerated women and men face similar barriers upon release from incarceration, such as obtaining stable and gainful employment, securing safe and affordable housing, and reconnecting with children...
The dissertation project considers the generative possibilities to envision Black subjectivity that emerges from a sustained consideration of different forms of difficult racial and sexual intimacies. The artists whose work is engaged throughout the project, Leasho Johnson, Ajamu X, and NIC Kay recognize that to be Black is to always...
This dissertation explores how dominant U.S. constructions of race, class, and gender are embedded into and inscribed onto artificially intelligent virtual assistants and the labors they perform. I examine virtual assistants like Amazon’s Alexa, Apple’s Siri, and Microsoft’s Cortana, interrogating their complex relationship to humanness, the tasks they are programmed...
This dissertation explores the entanglements of performed refusals and witnessing practices in the face of gendered violences. I analyze how contemporary artists use staged performance to generate new modes for witnessing histories of gendered violence across temporal and national boundaries. In particular, I investigate four performances addressing local histories of...