When considering his pioneering and innovative role in broadening the tonal palette of the piano, as well as his tireless efforts to promote his own and other composers’ music, it is not surprising that a large percentage of Franz Liszt’s compositional output for that instrument is made up of transcriptions....
Since Ottorino Respighi included the recording of a nightingale in his Pini di Roma (1924), composers have used prerecorded nature sounds, or field recordings, to help establish a specific sense of place. The purpose of this project is to examine how modern composers utilize field recordings to create natural-world settings,...
Distance learning has increased its presence in academia, and there is a growing trend among higher education music schools to utilize distance learning in tandem with a traditional curriculum. Many instrumental pedagogues do not understand the benefits even though distance learning has been used for close to twenty years in...
From 2008 to 2019, a range of new interactive and immersive digital formats that present new possibilities for musical and artistic expression have become available. In order to begin the work of uncovering what new compositional and experiential possibilities are now possible, this document will examine each format’s core concepts...
The saxophone has long been an instrument at the forefront of new music. Since its invention, supporters of the saxophone have tirelessly pushed to create a repertoire, which has resulted today in an impressive body of work for the yet relatively new instrument. The saxophone has found itself on...
This document will examine the influence of sacred, Latin, polyphonic, Tudor, choral composition on the compositional style of contemporary British composer, Gabriel Jackson. This examination will lead to an acknowledgement and discussion of the larger trend in 21st-century choral music to incorporate older compositional models into new works.
The impetus...
Anthony Braxton’s Trillium J, part of an ambitious planned “complex” of 36 one-act operas, premiered in 2014. Very little writing—anecdotal, journalistic, nor scholarly—exists on these works, so this research provides a critical introduction, contextualizing the operas within Braxton’s oeuvre and discussing the works’ fundamental musical materials and organization.
Examples from...
Since the beginning of the 21st century, the idea of building a Latin American musical discourse has returned to the artistic discussion, taking into account the peculiarities of cultural syncretism that manifest in the different countries of the region. From the most diverse aesthetics and through different musical media, a...
Musicians have a responsibility to assess and perform new or extant music in order to present a larger body of repertoire to audiences. The purpose of this study is to introduce the euphonium music of the contemporary Belgian composer Frangois Glorieux to the tubaeuphonium community. With numerous works written for...
This document gives a brief history of classical music (Western art music) in Sarajevo, Bosnia and Herzegovina, with a focus on recent events and developments from the beginning of the siege (1992) to the present. Further focus is placed on the effects of Sarajevo's cultural pluralism on the city's largest...